The installation is composed of suspended polyhedral forms, intrinsically connected, although they never actually touch, generating between them a state of continuous tension.

The work is a study of geometry and environment, a maximum abstraction that achieves a state of minimal expression.

At all times, physical transparency prevails and makes the concept itself transparent (perceptual ambiguity), due to the impossibility of separating and fully deciphering the work. The viewer will explore the multiple compositional possibilities, attempting to find a beginning and an end to what at first glance appears to us as a single “one-unicum”.

In Binario, the suspended volumes remain together within the dynamic threshold between matter and form, individual and environment, gravity and flight.

As if through the effect of invisible forces of tension and compression, a new unity is generated, floating around an “imaginary” center, ready to establish a new equilibrium.

The lighting, which generates shadow, plays a central role, responsible for transforming the material (metal) into line, volume into plane, defining space while simultaneously generating another system of polygons across the wall surfaces.